About

I’m a composer working at the intersection of music and sound therapy — blending electronic soundscapes with traditional gong baths to connect with the prelingual, primal self and help you experience emotion beyond words.

I use music theory alongside psychological frameworks and draw from Eastern holistic practices to create sessions that feel like a massage for your nervous system. My practice includes a unique bowl-to-body physical massage and spatial audio design to compose immersive, intentional soundscapes.

To read more about my sound practice and research, click here.

I stay active as an artist, with influences that go beyond sound itself — drawing from psychology, neuroscience, anthropology, linguistics and digital communication. Whether it’s reading research, exploring experimental art and music, learning from or collaborating with peers in my creative community or visiting spaces with unique acoustic or sensory qualities, I stay curious and open to ideas that spark new ways of listening to the world around me.

Learning is continuous — spanning spatial audio, visual art and haptics. I’m always looking for new ways to experience the world.

I’m curious about how noise, dissonance and abstraction can cut through the overwhelm — and offer a kind of clarity in the middle of it all.

I’m particularly interested in how sensory experience and digital vernacular are shifting as we live more hybrid digital and in-person lives. We’re bumping up in real time, against the tension between fast-moving tech and overarching questions of philosophy and being. And how we choose to meet this really matters.

At the same time, there’s a growing pull toward meditative and sensory practices. A need for space. For attention. For art that helps us feel something real. As everything gets faster, bigger, shinier, maybe the answers are smaller, subtler, more delicate. And ultimately, more human.