About

I’m an interdisciplinary Sound artist and composer working with Sound, listening, vibration and sensory experience.

I create immersive sensory experiences through electronic composition, gong baths and spatial Sound design, exploring perception, meaning and connection. Bringing together electronic and acoustic Sound, I create environments that invite people to slow down, listen differently and reconnect with themselves and the world around them.

I draw on psychological frameworks and Eastern holistic practices to create experiences that support rest, reflection and embodied listening. My practice also includes a unique bowl-to-body sound massage, using direct vibration and resonance to deepen the sensory experience.

To read more about my sound practice and research, click here.

I stay curious as an artist, investigating ideas beyond Sound as audio. I’m interested in perception, noise, language, and the ways people create shared and personal meaning through Sound, space and sensory experience. My practice moves between experimental music, Sound, visual art, installation, immersive environments and sensory work, with research running through it all. I’m interested in the things that happen at the edges of these forms, and in the unexpected connections between them.

I’m drawn to noise, abstraction, and the unexpected clarity that can emerge from them. I see a similar thread in translation, both between languages and between different ways of understanding and experiencing the world.

A lot of my work is about finding ways to communicate and create together, where language can’t hold the depth of meaning. Working with children and adults with complex communication needs has allowed me to think deeply about Sound as a form of participation and exchange: listening, responding, making gestures and finding ways to build something together without necessarily having words.

I’m fascinated by the moment we’re living through now, as new technologies and structures of power are changing not only what we can make, but how we communicate with each other. New gestures, languages and forms of expression are becoming part of everyday life. We’re learning new ways to speak, signal, perform and create, often without knowing what they will become yet. What happens to Sound in this shifting landscape? How is it being remade, repurposed and morphed to fit new ways of communicating and being together?

At the same time, there’s a growing pull towards meditative and sensory practices. A need for space. For attention. For art that helps us feel something real. As everything gets faster, bigger, shinier, maybe the answers are smaller, subtler, more delicate. And ultimately, more human.